Archive for the ‘Take Better Pictures’ Category

10 Tips for Photographing Your Toddler

January 31st, 2012

I used to post monthly photos of this little guy. That was back when he pretty much stayed in one spot and wasn’t much too busy for the likes of me and my camera. That was also back in the days when he didn’t ignore me when I screamed his name only 2 feet away [...]

 

I used to post monthly photos of this little guy. That was back when he pretty much stayed in one spot and wasn’t much too busy for the likes of me and my camera. That was also back in the days when he didn’t ignore me when I screamed his name only 2 feet away from his ears.  He’s at that difficult age in more ways than one. He is 2 and a half now, and here I am just getting around to posting the 2 year old photos I took of him on his birthday.

He’s a little spit fire this kid. I have to watch him closely all the time because he can get into trouble in the blink of an eye. He climbs to get anything he wants no matter how dangerous. I think I say, “You’re going to crack your head!” at least a dozen times a day. Then there are his tantrums. I’ve already said that if throwing tantrums was an Olympic sport he would be a gold medalist. His competitors would not have a chance. When he isn’t climbing or screaming he’s saying something that cracks us all up. He loves being the center of attention in our family of 6. He truly does believe the world revolves around him. As is typical of most youngest children he’s spoiled, but we can’t help it.

When I’m upset he says in his high pitched little 2 year old voice, “Don worwy mommy. Evry ting gonna be OK.” He grabs my face with his 2 hands on each side of my face and gives me a kiss. When I tell him I love him he answers back with an “I wuv you more.” Of course I tell him I love him more, and his response is, “I wuv you mostest mostest mostest mostest!” That, my fellow readers is why I signed up for motherhood. It’s payment for all the poopy diapers, long sleepless nights, and the countless other tortures we endure for our little ones.

Here are a few tips for photographing your toddler:

1. First and foremost do not ever try to force them to smile for the camera. The results are never what you’re looking for. That scared forced smile is not the smile that makes your heart melt in everyday life. You’ll always look at the photo and remember it was forced.

southern california children's photographer

2. Try to set up a situation where they get to do something they want to do. This makes them happy, and their facial expressions will be pleasant and what you are used to seeing in real life. In this situation Noah was exploring a trail and looking for bugs and leaves. He was happy as a clam. You might even want to try to let them do something they don’t usually get to do, like jumping on the bed or sitting on the table.

southern california children's photographer

3. Try to get eye contact in a natural way. Don’t yell at your child and say, “Look at me and smile!”  or “Say cheese!” Talk to him. Ask him questions. Sing him his favorite song. Tell him a joke. Do a dance. Make a funny noise. Try everything you can to get their attention.

southern california children's photographer

4. Get down on their level. 2 year olds are much shorter than you are. Bend down and meet them eye to eye. Get up close, and remember to capture the details you love most of all about your child. Maybe it’s his chubby little hands, or funny little walk, or their long eye lashes.

southern california children's photographer

5. Use a chair or a basket or something to get him to stay in one spot for longer than a few seconds. The blue chair came with us to the field for this very reason. You’ll notice every picture with him on it he is getting off of it. Sometimes it doesn’t work. If I had a big basket to put him in it would have taken longer for him to get out. I could have made a game out of it too to keep him their longer. For example, challenge him to sit still until you count to 5.

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6. Don’t shy away from the photos where he/she doesn’t have a big smile. The above left photo reminds me of how Noah looks at me all day long when I’m telling him something. That’s the expression I see most. I don’t want to forget it.

southern california children's photographer

7. Pull back and capture their environment. Don’t be afraid to have some of their favorite toys in the background. If you’re at home don’t clean up for every photo. It is fun to look back at old photographs and see the toys you played with at the time.

southern california children's photographer

8. Toddlers are unpredictable. You never know what will make them laugh. Relax and have fun with them. Enjoy the little person that they are. Embrace their goofy side. Try to capture them being who they are, not just a smile for the camera.

southern california children's photographer

9. Bribery does not work at this age. They have no concept of doing something now for a treat later. They hear about a treat and they want it NOW. Maybe some of you have more advanced children than I do (especially the girls), but my 2 year old does not understand delayed gratification.

southern california children's photographer

10.  MOVE! You will have to get up, move in front of, behind, to the side, and everywhere you can to get the photos of your toddler. They have a never ending supply of energy, and they will not sit still for longer than a second or two. This is normal.

southern california children's photographer

 

 

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How To Take Better Pictures at Easter

April 19th, 2011

If you celebrate Easter you are probably getting ready for the festivities this Sunday. Do you have the perfect dress for your daughter, or that spiffy new suit for your little boy? Maybe you’re planning an Easter Egg hunt, or just a family dinner. Chances are you’ll get your camera out for some of it. [...]

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If you celebrate Easter you are probably getting ready for the festivities this Sunday. Do you have the perfect dress for your daughter, or that spiffy new suit for your little boy? Maybe you’re planning an Easter Egg hunt, or just a family dinner. Chances are you’ll get your camera out for some of it. Here are just a few things that might help you tell the story of your Easter with your pictures.

DON’T FORGET THE DETAILS:

For any holiday I like to get any detail shots I think are important for the day. Coloring Easter Eggs is a big deal to my kids. When they grow up and look at these pictures they will not only see what they looked like that year, but they will also pay attention to their clothes, their hairstyles, the furniture, any pictures on the walls, these dishes, the spoons — everything. Get in close and get those details. You will be amazed how much you will love to look back on them, and remember that time in your life.

Easter Egg Decorating

You know those eggs you just took an hour or two to decorate? Why not get an up close picture of your hard work. Move them close to a light source so they really shine. Put them in a basket, or next to something pretty. Your kids can look back at their work for years to come.

Do you do any special Easter crafts or projects? Don’t let those masterpieces go undocumented. Don’t just concentrate on the process, but also the finished product. This was a couple of years ago and my 4 year old took a lot of time on her bunny cookies. I can look at the concentration in her face all day as she creates.

How to take great Easter Pictures

Do your kids get Easter baskets? It’s always fun to get pictures of your kids playing with, eating, or reading their goodies. It’s always a bonus for me to catch them doing it when they aren’t paying attention to me and posing.

Easter photography

Easter Morning

TRY ALL DIFFERENT PERSPECTIVES:

I took a class from one of my favorite photographers of all time, and one of the things I learned from her was that you should always try new perspectives and angles. Don’t just take pictures straight on. Take them from above and from below. Move back and take in the entire scene, then zoom in to the small details. If you think about it the pictures you take today will be the view you have of your world forever. It’s always fun to see your world from all different angles.

Easter usually involves at least one Easter Egg hunt. Ours is at home, and at Grandma’s house. Don’t just stand back by the door and take wide shots (although those are nice too), move around and find different and interesting angles. Look down from below or get down really low in the grass for a really interesting perspective.

Easter Egg Hunt Photos

CATCH THEM BEING REAL:

Don’t forget about the unplanned, unrehearsed, unposed moments. These are the hardest to get because everyone acts different when there’s a camera in the room. Try to stand back, zoom in, and be quiet. They will forget about the camera because they are so used to it, or they won’t care anymore.

Fun at Easter

SHOW OFF THOSE NEW CLOTHES:

Kids in their Easter best are always cute no matter what. Don’t just stick your child in front of a tree, bush, or wall and tell them to smile. Move them to a place where the lighting isn’t too harsh or too dark (see here), and talk to them. Tell them jokes, get them talking, make up a funny story, do anything to make them comfortable and relaxed so their smiles are genuine and real. Then take the picture.

Easter Photography

Happy Easter! Have fun documenting your day.

You can read more from my series Take Better Pictures by clicking here.

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Take Better Pictures: 3 ways to get better lighting for your photos in your home

March 1st, 2011

You want to take more pictures of your family at home, but you hate how they turn out. They are dark, blurry, and really yellow. When you use the flash you get red eyes and harsh shadows. What can you do to make them look better? First of all I’ve said it before, and I’ll [...]

 

You want to take more pictures of your family at home, but you hate how they turn out. They are dark, blurry, and really yellow. When you use the flash you get red eyes and harsh shadows. What can you do to make them look better? First of all I’ve said it before, and I’ll say it again it’s all about the lighting. If you don’t have good lighting everything else doesn’t matter.

Disclaimer: I have loads of personal pictures with bad lighting that I love because of what is in them. Sometimes the sentiment overrides the technical aspects of the photo.

Here are 3 things you can do to get beautiful photos in your home.

1. Find the Natural Light

Natural lighting is beautiful and flattering. When it falls on your subject in just the right way it is magic. Search around your house for where the light comes in. North facing windows offer the most beautiful non-direct lighting for your photos, but any large window will do. This is what I do when I go to my newborn sessions or a family session in the home. I look in every room and search for the large windows. Try to avoid it if the sun is beating directly into the room without any kind of drapery or filter for the sun, except for an exception I’ll mention later.

Once you find the light place your subject either facing it, or for more depth and interest place them so that only one side of their face is towards the light. Below is my little munchkin before he could walk and he still had those chunky monkey thighs. Oh how he’s grown. Sliding glass doors are fantastic! I love them because they bathe the room in such beautiful light. His face is facing the light, and I am to the side. I love the way the light falls on his face and drops off behind him.

Here he is the same day. We have one spot in our living room that I LOVE because there are 2 windows in the corner. Below you can see there is light falling on his face from the front and the left side of his face. There is a window behind me and to my left.  The light falling off to the right gives the picture more depth. Light and shadow make for fantastic photos so don’t be afraid of some dark areas in your photos.  You will also need to be careful not to block too much lighting by standing between the window and your subject. I move and adjust to make sure I’m not blocking the good light.

Don’t be afraid to turn your subject so that the light from the window hits them from only one side. This is the best lighting because it’s not flat. It falls on your subjects face gradually highlighting the curves and special features that makes them special.

Open the front door. This is the perfect option if it is a dark day and you aren’t getting a lot of light through the windows. I love this option as well when I want the background darkened.  You stand just outside the door and put your subjects just inside the doorway. The beautiful flat lighting will fall right on your subject, and everything in the background will be darker. This draws attention to your subject even more.

The light below the window on a bright day is divine. I move furniture, toys, or whatever junk is below the window so I have a clean backdrop. The photo below was taken on the floor of my bedroom below a large window with lots of natural light streaming in.

Here he is looking up towards the window. You can see the light from the window in his eyes and me leaning over him to take the picture.

Look for natural reflectors. By that I mean bright areas that will bounce light back onto your subject. In the photo below the light is coming in (bright intense light) from behind, but the floor is reflecting the light back onto his face which makes it work. Other reflectors might be a white wall, or light furniture.

In this next one the light is bouncing off of the white bedding and back onto his face.

2. Move the action to where the light is

I know that not everything you want to take pictures of takes place by the window. Life happens even in bad lighting. I wish it didn’t!!  I do my best to move the action to the best lighting, and if I can’t, only then do I use the flash, but more on that later.  For example, the picture below was taken on the day we gave Noah his first taste of solid food. As you can see he wasn’t a big fan, but he is a good healthy eater now. I’m not ashamed to admit I moved his high chair from the place we usually keep it out into the middle of the room where the light from the kitchen window was the best.

See this gingerbread house from Christmas in 2009? I didn’t just take a picture of it where it was sitting when we were done. I moved it onto the special spot at my table right in front of the window.

3. Use any light source you can find.

There are times that you just can’t use the natural light that comes into your home. In those situations you will need to use another source. It gets tricky because you run the risk of motion blur, color casts from artificial lighting, or harsh flash lighting. Here are my recommendations. If you have to use a flash and are able, try to aim it towards the ceiling so it doesn’t hit your subjects full force. If you can’t, try covering the flash with a piece of tissue paper or something to diffuse it. Also check your camera’s white balance and change it to tungsten or fluorescent lighting so that it doesn’t look too yellow or blue.

The picture below was taken on the night we decorated the tree last December. The kids were so excited to get out the Christmas books I keep with the decorations. As a mom these are the moments I eat up. I snuck in from behind with my camera so they wouldn’t see me and pose, or worse yet run away.  The room was really dark with only the light coming from the tree and  the dining room on the left. I knew I needed something extra so I pointed my flash towards the ceiling so that it would bounce off and fall down evenly.

The only lighting in this picture is from the lights on the tree. Yes there is a major color cast, but it works for me.  Artificial lighting gives you freedom to be creative and think outside of the box.

If you take the time to look around and find the spots in the room where there is the best lighting you will get better pictures. Lighting is everything.

Read more from my series “Take Better Pictures”

Find the best Lighting Outside

One Guaranteed Way to Improve your Photos

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Take Better Pictures: Where is the best lighting outside?

January 26th, 2011

Great lighting is by far the most important thing to photography. You can have the most expensive camera equipment, the most beautiful subject, and the perfect background, but if the lighting is off the entire photo is bad. Lighting is everything. Today I took Noah outside to get some examples of  where the best lighting [...]

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Great lighting is by far the most important thing to photography. You can have the most expensive camera equipment, the most beautiful subject, and the perfect background, but if the lighting is off the entire photo is bad. Lighting is everything. Today I took Noah outside to get some examples of  where the best lighting is outside in the middle of the day.

One night I was in the grocery store and a client came behind me in line. He told me his son had graduated from college that day. After the congratulations were given he then told me he was disappointed because the photos they took afterwards looked really bad and he didn’t know why. The first thing I asked was if they were standing out in the sun. His answer confirmed that they were directly under the sun on a bright day.

Please please please try to avoid taking pictures on a bright day right underneath the sun. This is what happens when you do.

Why yes, he’s very cute (I’m biased), but it’s not a good photo because of the dark shadows all over his face. I can’t even see his beautiful blue eyes.

The first rule of thumb is do not take photos out in full sun during the middle of the day if you can avoid it. With that being said universities don’t schedule graduations for optimal lighting for photos. Sometimes it cannot be avoided. In those situations you have a few of options to still get good photos. First, look for some shade. Not the deep dark shade way underneath a porch or big heavy tree. I’m talking about what’s called open shade. That is the shade of a building, tree, fence, anything. Stand your subject at the very edge of the shade right before the sun hits the ground.  Now look at your subject. If there are bright patches of sunlight on their face, or dark shadows under their eyes move them back a little.

The second thing you can do is look for the sweet spot where the sun is lighting the back of your subject, and leaving their face evenly lit. I usually look around at the people around me to find out where the sun is hitting them.

You can see in the above photo the sun is to Noah’s back. His back is brightly lit, but the front of him is shaded. This is a great position to take his photo.

There are his eyes, and no shadows! The other advantage of your subject not looking straight into the sun is they aren’t squinting their eyes in discomfort.

You do have to be very careful not to get one side of the face totally blown out, or too bright. I could have avoided this by moving his face a little more to his left.

Some of you might go to try this and come back with pictures of your subject completely black, and the background nicely lit. That is because your camera tries to measure the light of the entire scene and then even it out to get the exposure that would work for most of the picture. You can avoid this by switching your camera to manual mode (if possible). Check in your camera instruction manual for directions on how to do that. I know it’s incredibly boring to read, but I promise it’s worth it.

I use what’s called spot metering in my camera. All I do is fill the frame, or what I can see through the lens, with what I want exposed properly. In the above case it would be Noah’s face. I adjust the exposure and then I step back and take the photo. It takes a little bit of practice, but it’s easily done. I find that back-lit photos like this one look best with a dark background. If the sky is the background it will look white in the photo.

If you have a camera where you can’t use spot metering or expose manually just move in really close and have your subject take up most of the frame. Your camera will then choose a more correct exposure for your subject than the background. The other option you have is turning on the flash. This will light the front of your subject while exposing properly for the background as well. You might have an option on your camera for fill flash. This is the situation to use it.

So next time you’re at a graduation, birthday party, wedding, family gathering, or just outside in the backyard look around to find where the best lighting would be before you start snapping photos. You’ll be much happier with your results.

Next time: Where to find the best lighting in your house.

breaker

Take Better Pictures: One Guaranteed Way to Improve your Photos

January 11th, 2011

How can I take better pictures? I get asked this question all the time. I always feel sort of overwhelmed, and at a loss for words. Where do I start? Should I begin with exposure, composition, lighting, f-stop, shutter speed, or connection? Over Christmas especially I get asked about teaching a photography class, what camera [...]

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How can I take better pictures? I get asked this question all the time. I always feel sort of overwhelmed, and at a loss for words. Where do I start? Should I begin with exposure, composition, lighting, f-stop, shutter speed, or connection? Over Christmas especially I get asked about teaching a photography class, what camera is the best, what settings should I use, what do you do in Photoshop to make it look better, etc. I truly want to help people use their cameras to capture their memories. The problem is I can’t teach someone about photography in one conversation.  I decided I would humbly answer some questions you might have about photography on my blog. I want to emphasize the word humbly because there are millions of people who know how to explain these things better than I ever could, and believe me I’ll be directing you to them a lot.

I think the best book out there that explains your camera’s settings in a way that is easy to understand and follow is Bryan Peterson’s book Understanding Exposure. I highly recommend it. In fact all of his books are fantastic. There are a million websites with as much information as you would ever need to know. A great one with tips and tutorials is Digital Photography School and a forum with a wealth of knowledge is  I Love Photography.

I know you’re thinking  you don’t have time to read a book or a website to learn how to take pretty pictures. In fact you would rather watch the grass grow than do something so dull. You just want to use the camera you have to get better results. You are in luck because you can get beautiful photographs using the cheapest camera on the market with just a little knowledge about lighting and composition. You don’t believe me? Take a look at this fashion shoot using a cell phone camera.

People often think, “I need a better camera to make my photos look better.” While it is true that better equipment makes it easier get better results, there is so much more to it. I’ve heard it explained using the example of a great chef. He or she usually has the best knives, pots, pans, ovens, etc. to work with in their kitchen. These tools help them be more efficient, but really it’s their knowledge of food and the process of cooking that makes the food taste amazing. Even if they were given Walmart pots and pans their food would taste better than mine. If you put me in a kitchen with all of the greatest equipment I guarantee you the results would not be the same.

I’m going to start a blog series with simple, easy ways you can improve your photos. Please note these will not be ground breaking, earth shattering tips. These are just simple things you can tweak in your photos to make your pictures better and more meaningful. I don’t know how often I will do this, but hopefully on a regular basis. I recently asked what questions people had on my Facebook page and on Twitter.  I will be answering those questions first. Feel free to contact me with any questions you might have.

So, here it goes. The number one thing you can do to improve your photos is to MOVE IN CLOSER. I am guilty of being lazy. If there’s an easier way to do something where I have to exert as little energy as possible I’m all for it, but please please, do not stand far back and take photos of your child. You really need to move in, and get down on their level to take their photo. It is the only way to get a good portrait of them. There is a huge difference, and I promise you your photos will improve dramatically if you just remember this one rule.

Just this morning I took Noah outside because that is where he is happiest, and I wanted to show you the difference it can make if you move in closer. Here is the first one. I’m standing and looking at him at my level. I see my cute little boy there in the middle, but I can hardly see him, much less see what he looks like. All I see is the mess that our yard is with all the weeds and brush. It’s embarrassing, and not a picture I would ever keep.

I moved in a little bit closer. Here he is longing for his car he sees through the fence. It’s more of a storytelling photo, but still, not what I was looking for. Plus, you can still see the mess that my yard is, and that is embarrassing.

I moved in even closer, but still on my level. He’s way to far down . I still can’t see his chubby cheeks and bright blue eyes.

So I stooped down to his level, and YES, that is how I want to see my baby. The lighting didn’t change. He’s still in the same location (you can see the white fence blurred in the background), the only thing that changed is I moved in closer and got down to his level. What a huge difference it made.

We moved around to the front of the house by the garage. I stooped down to his level again and got his attention. I like the leading lines of the garage and drive way that brings the eye to him, but I still think it would be better if I moved in a little closer.

We enjoyed a fun game of peek a boo with the side of the house while I moved in a little closer. It’s not perfect, but I like it with less drive way, and less distraction. It’s clear he’s the star of the show.

We eventually made our way to the back where Noah’s favorite outside toy is. This snapshot is simply not interesting. It’s poorly composed. Most of the picture is taken up by the yard. That beautiful block wall, and brick patio (try not to be jealous of our outside oasis), and the grass fill the space. What does that kid look like?  What is the point of this photo? Are we supposed to look at the yard or the car, or the kid?

When I move in, stoop down to his level, and get his attention the point is so much more clear.

Don’t get me wrong there are times when you want to take in the whole scene and move back. If you are taking photos of a group, or the whole room is important to your photograph please move back. If you are just trying to take a picture of that cute toddler’s face, move in closer. This does 2 things. It makes the child the focus of the photo, and removes the distracting background that competes for your attention.

Give it a try, and let me know what you think.

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